Over the Christmas break, I visited the home of Rose and Nael Tohme who, along with their children, were the first family of Syrian refugees to come to Prince George.
“We seek recognition of the Radio/Podcasting genre through thoughtful reviews, criticism, and a deeper examination of styles and trends.”
– Mira Burt-Wintonick
Nicholas Quah: “The vast majority of the charts draw upon the same few concepts, deriving from the same few traditions, borne of the same few sensibilities. Touchy-feely reportage. Public radio two-ways. Public radio science-y shows. Shows about music. Comedians talking with comedians. People talking with people like themselves. Celebrities talking celebrity things. Conversationals. True crime true […]
“Here are 10 openers I’ve heard again and again from public radio producers and podcasters. They’re easy. They’re appealing. They’re overused.”
“You don’t want to sound like a reporter, you want to sound like a regular person. So use the word ‘like’, like… like a lot.”
“Come and get some lemonade!”
“Listeners have always complained about young women reporting on our show. They used to complain about reporters using the word like and about upspeak, which is when you put a question mark at the end of a sentence and talk like this. But we don’t get many emails like that anymore. People who don’t like listening to young women on the radio have moved on to vocal fry.”
For decades, the “radio voice” has belonged to baritone white men. Where does that leave women, accents, and people with speech impediments?
I’ve been writing about Serial and what it means for audio on here quite a bit. I sent out a little Twitter essay yesterday that’s a pretty good summary, so I thought I’d put it here, too. 1. I think Serial and shows like it are a step towards the Netflix-ization of audio http://andrewkurjata.ca/blog/2014/11/21/podcasts-arent-back-a-new-type-of-podcast-has-arrived/ 2. “podcasts” as a form […]
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