What do our abandoned playgrounds say about who we were- and who we are?
In a new interview, the co-founder of Cash Money Records reveals he spent three years of his childhood in northern British Columbia.
“I know this next comment will get me in trouble, but that doesn’t make it any less accurate: Vancouver isn’t really a creative city, anyway. It’s a picturesque city made up of glass shoeboxes—but a creative hotbed? I’m not so sure.”
nothing compares 2 u
A new name and visual identity, pretty much everything else is the same.
I disagree with the premise that either you live in a city with an NHL team or you accept worse outcomes for you and your loved ones. I disagree with the premise that we should give up on any place that isn’t a major urban centre.
SLOWER TRAFFIC KEEP RIGHT!
I’m sure your mom/wife/sister/daughter/grandma/aunt are awesome. The women in my family are awesome. Yours probably are, too. But too often the mother/wife/daughter thing is used by men who cannot think of any women in the public space whom they admire or respect. Literally when American presidential candidates were asked which woman they would like to […]
Here’s a story about being a white guy in Canadian media.
What I did, what I need to do better.
One second from nearly every day of my thirtieth year.
My favourite music of 2015.
Who is allowed in to your space, and what are they allowed to say?
Nicholas Quah: “The vast majority of the charts draw upon the same few concepts, deriving from the same few traditions, borne of the same few sensibilities. Touchy-feely reportage. Public radio two-ways. Public radio science-y shows. Shows about music. Comedians talking with comedians. People talking with people like themselves. Celebrities talking celebrity things. Conversationals. True crime true […]
If people from a cultural group say a costume is offensive, I just won’t wear it. There is no costume that is so important to me that it is worth making a group of people feel excluded or belittled, regardless of my own thoughts on the subject. And that’s my hot take on cultural appropriation […]
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