“There’s this new narrative in which would-be pop stars find their voices by venturing outside the studio system, working with indie auteurs and finding themselves whole new audiences on the festival circuit. And that setup has produced some truly great music, like Solange’s True and Sky Ferreira’s Night Time, My Time. But E•MO•TION isn’t that. From a distance, it seems like it should be that. Jepsen worked with Dev Hynes and Ariel Rechtshaid on the shimmery, quick-dissolve ballad “All That” and with Vampire Weekend’s Rostam Batmanglij on the burbling “Warm Blood.” But E•MO•TION doesn’t play like critic-bait — or, for that matter, like festival-bait. Instead, it plays like gleaming mall-pop turned way up past 11.”
Hazel Cills: “Beyond just people moving towards streaming rather than buying music (old news), the discontinuation of the iPod Classic and future mp3 devices presents a whole other problem: a lack of devices and applications that are for music listening only. There is no right or wrong way to listen to music, but there is […]
Rowan Jacobson: “Considering the speed of change, the money and smarts being thrown at the problem, and the desperate need, it seems likely that sometime in the next decade, Beyond Meat or Impossible Foods or another rival will perfect vegetarian beef, chicken, and pork that is tastier, healthier, and cheaper than the fast-food versions of […]